Morning, Noon, and Night

Fiorella lives by lists and systems. Her major lista is the one she writes down for the next day (manana), but she also consults her calendario. Her sytems include such things as feeding la perra her daily pildoras--Fio puts a gob of peanut butter on the handle of una cuchara o tendedor (spoon or fork), sticks una pildora in the mess, and presents it to Sonia, who eagerly gulps it down.
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If there's a body count category for the Mexican telenovela awards, La Piloto will win it hands down. Not only have the extras died like flies, but several of the minor characters have also been killed off. Of course, our heroine is in peril--again. The only way she could save the life of la bebe de una amiga (who had been killed) was to surrender herself to the sadistic Santamaria. Of course, she was rescued by Dave and her friends, but not before Sanamaria, quien no es un santo, strung her up by her wrists and branded her with a red hot cattle iron. Her scream could be heard all the way to Hollywood.
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The day is surprisingly cool for central Texas in late June, and the house is quiet. Maybe Fio can get through a couple more chapters of her work-in-progress before anyyone gets back to the house. Ah, pandemonium, I know you well.